Kamis, 14 April 2011

[T593.Ebook] Free PDF Basket Case (Vintage Crime/Black Lizard), by Carl Hiaasen

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Basket Case (Vintage Crime/Black Lizard), by Carl Hiaasen

Jack Tagger’s years in exile at the obituaries desk of a South Florida daily haven’t dulled his investigative reporter’s nose for a good story. When Jimmy Stoma, the infamous front man of Jimmy and the Slut Puppies, dies in a fishy scuba accident, Jack sees his ticket back to page one—if only he can figure out what really happened. Standing in his way are, just for starters, his ambitious young editor, who hasn’t yet fired anyone but plans to “break her cherry” on Jack; the rock star’s pop-singer widow, who’s using the occasion of her husband’s death to relaunch her own career; and the soulless, profit-hungry owner of the newspaper, whom Jack once publicly humiliated at a stockholders’ meeting. Following clues from the late rock singer’s own music, Jack tries to unravel the lies surrounding Jimmy Stoma’s strange fate.

  • Sales Rank: #107695 in Books
  • Brand: Brand: Vintage
  • Published on: 2013-08-13
  • Released on: 2013-08-13
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x .70" w x 5.14" l, .57 pounds
  • Binding: Paperback
  • 336 pages
Features
  • Used Book in Good Condition

Amazon.com Review
Take one dead rock & roll star, his Courtney Love-type widow, the mysterious deaths of his former bandmates, and the lost tracks of a comeback album. Stir in Jack Tagger, a middle-aged investigative reporter obsessed with death since his banishment to the obit desk; a fetching young editor with a yen for our hero; and a boss looking for a reason to fire him. Put them in the hands of a master like Carl Hiaasen, who adds his trademark flourishes (who else would use a frozen lizard as a weapon?) to a creaky plot like this one, and the result is a winner. Florida is full of caper writers with journalistic credentials, and plenty of them have a deft hand with quirky characters, but no one in the genre is better than Hiaasen. --Jane Adams

From Publishers Weekly
Hiassen gets back to his roots with this (almost) straight-ahead mystery, but doesn't skimp on the funny stuff as he follows the adventures of Jack Tagger, down-on-his-luck journalist relegated to the obit beat at a smalltown Florida daily. While researching a death notice, Jack stumbles by accident upon an actual news story: former rocker Jimmy Stoma has drowned while diving in the Bahamas, and his widow, wannabe star Cleo Rio, can't convince Jack that his death was accidental. The mystery offers Jack a way out of his job-related death fixation ("It's an occupational hazard for obituary writers memorizing the ages at which famous people have expired, and compulsively employing such trivia to track the arc of one's own life") and toward his increasingly lusty feelings for Emma, his 27-year-old editor (" `Bring whipped cream,' I tell her, `and an English saddle' "). But when things turn violent and Jack suddenly has to defend himself with a giant frozen lizard, he enlists the help of his sportswriter friend Juan Rodriguez and teenage club scene veteran Carla Candilla to try to find out why someone is killing off has-been sleaze rockers. A hilarious sendup of exotic Floridian fauna in the newspaper business, the novel offers all the same treats Hiassen's fans have come to crave. What makes this book different is its first-person, present-tense narrative style. Unlike previous capers, which were narrated in the omniscient third person, this book settles squarely in the mystery genre from whence Hiaasen's fame (Double Whammy; Tourist Season, etc.) initially sprang. Despite the absence of perennial Hiaasen favorite Skink, this should make an easy job for Knopf's sales force even easier. (Jan. 9)Forecast: A 22-city author tour, a drive-time radio tour and national print and television advertising are all in the works for Basket Case. With first serial going to Rolling Stone and a 300,000-copy first printing, this looks like another bestselling sure bet for the Florida funnyman.

Copyright 2001 Cahners Business Information, Inc.

From Library Journal
In Hiaasen's ninth novel (after Sick Puppy), Jack Tagger is a former investigative reporter demoted to obituaries. When Jimmy Stoma, the lead singer of a once major but now forgotten rock band, dies in a suspicious diving accident, Jack pounces on the opportunity to prove his investigative mettle to his editor and secure his position in an increasingly unpleasant workplace. He interviews the less-than-distraught widow, Cleo Rio, herself the latest hot commodity on the music scene, and studies the lyrics Stoma wrote for his band, the Slut Puppies. Members of Jimmy's old band turn up dead, which suggests foul play. Now Jack has to stay alive as well as convince his editor that the Jimmy Stoma story is important. All this, and a frozen monitor lizard, entices the reader to keep turning the pages. Hiaasen's typical quirky characters and hilarious dialog are in abundance in this thoroughly entertaining novel. For all fiction collections.
- Jeff Ayers, Seattle P.L.
Copyright 2001 Reed Business Information, Inc.

Most helpful customer reviews

61 of 64 people found the following review helpful.
Not As Wacky As Previous Efforts, But Fun Nonetheless
By K. Palmer
I have read Carl Hiaasen novels for over 10 years and do because I love the off-the-wall humor he brings to his novels. Previous efforts have reflected interesting uses of weed-wackers (in Skin Tight) and "The Club" (in Stormy Weather), not to mention the periodic exploits of a former Florida governor turned road kill conniseur (Skink). He is a terrific storyteller who is passionate about the Florida environment as all of his previous novels had some type of "Save the Everglades" bent to them.
However, Hiaasen has taken a different turn with "Basket Case". First of all, this is his first novel written in the first person as he assumes the voice of Jack Tagger, former hotshot investigative newspaper reporter who has committed career suicide by publicly humiliating his boss and has been relegated to writing obituaries. Tagger is obsessed with the ages of people when they die and judges his life based on the famous people who died at his current age, which drives the people who care for him crazy. Tagger gets the chance to investigate the death of Jimmy Stoma, a washed-up rock star who was attempting to make a comeback at the time of his demise. You get to meet his wacky widow as well as several folks who help him in his quest. Hiaasen handles the limitations of the first person narrative pretty well, primarily through crisp use of dialog. It's a nice first effort for this style, although he can open himself more by staying in the third person as he has done previously.
I also credit Hiaasen for staying away from the environmental issues in this novel. I have stated in previous reviews of the recent Hiaasen novels that this subplot, present in all his novels in some form, was getting old, a sentiment agreed with by many other faithful readers. I think it's great that he has the forum of a novel to get his anger with the over-development of South Florida out, but it was time for a break. It's not his best work (Native Tongue and Stormy Weather are his best in my opinion), but Basket Case is just plain fun without a lot of messages being sent.
I look forward to the next novel, which if form holds, will bring back Skink. But I enjoyed this one nonetheless. You will too.

42 of 45 people found the following review helpful.
Obit Worthy.
By A Customer
Like many Nelson DeMille novels, Carl Hiaasen writes his "Basket Case" from the first person viewpoint. And like many of DeMille's protagonists, obit writer Jack Tagger tells us the story with a smart-assed dialogue.
Dead is James Bradley Stomarti, also know as, Jimmy Stoma. You know. The Jimmy Stoma, lead singer in his band, Jimmy and the Slut Puppies. The Slut Puppies were famous for the hit single "Basket Case" from the "Floating Hospice" album. That Jimmy Stoma. Anyway, to bring you up to date, he died.
It seems that Jimmy was a regular rocker too. Like many of his peers he was into alcohol, drugs, and had a rap sheet longer than his Fender guitar. He'd been arrested on a regular basis for such things as; indecent exposure, (he was caught wearing a rubber Pat Robinson mask and a day-glow condom), he crashed his SeaDoo in to the SS Norway, gets popped for whizzing on Englebert Humperdink's limo, got busted for stealing a bundt cake, you name it. All in all, this makes for a very interesting and "obit worthy" character. According to Jack Tagger, anyway.
Jimmy's death may not have been an accident, and so the mystery begins. Jack, the obit writer, has his suspicions. While Jack's editor, Emma, has the "hots" for Jack. This is where the sexual tension weaves its way into the storyline.
I mention Emma because Carl Hiaasen is a master of great dialogue and great characterization. Taggar describes Emma: "Emma has the bearing of an exotic falcon." Those eight words told me everything that I needed to know about Emma.
This one is five stars and highly recommended. I know you will enjoy "Basket Case" as much as I did. Cammy Diaz, lawyer.

28 of 30 people found the following review helpful.
Yet another hit for Hiaasen
By brian warden
Once I picked up this book (after buying it the day it came out) I could not put it down. The plot is typical Hiaasen -fast paced, lots of twists, plenty of shady (and funny) characters. But the book is actually different than previous Hiaasen books in two respects: First, it is written from a first person, narrative, perspective, unlike all of his previous 8 novels. Secondly, it is a little more serious, and a little less twisted, than previous books. It has a more realistic feel (with the exception of a hilarious scene involving a frozen lizard); there aren't any dead animals hanging off characters arms (Double Whammy, Lucky You); or weed whackers (Skin Tight).
There are lots of rock-n-roll references which I found entertaing, and the main character-obituary writer Jack Tagger-is a likable, flawed individual, that is easy to root for. Overall, I'd definetly recommend this book.

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Senin, 11 April 2011

[M449.Ebook] Download PDF The Dancer's Gift: Sociology in Life, by Meredith Kennedy, Marty E. Zusman, Caroline Schacht, David Knox

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The Dancer's Gift: Sociology in Life, by Meredith Kennedy, Marty E. Zusman, Caroline Schacht, David Knox

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The Dancer's Gift: Sociology in Life, by Meredith Kennedy, Marty E. Zusman, Caroline Schacht, David Knox

Sociology students sometimes ask, "What does sociology have to do with me?" The answer is "Everything," and this novel - a love story - is a unique way of bringing sociological concepts and perspectives into awareness. The Dancer's Gift: Sociology in Life introduces readers to 180 sociological concepts that are cleverly interwoven throughout this story about two lovers: Samantha, a sociology major, and Marcel, a dancer. Storytelling is the creative conversion of life itself to a clearer, more powerful, and more meaningful experience. The stories and characters of this hybrid novel/textbook have been chosen to represent a spectrum of different cultures, socio-economic strata, religions, and ethnicity. The stories cover a range of issues, including marriage and divorce, adultery, education, religion, gender issues, and racism - basically a kaleidoscope of sociology topics are presented as events in the context of a love story.

  • Sales Rank: #1663587 in Books
  • Brand: Brand: de Sitter Publications
  • Published on: 2011-01-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.02" h x .53" w x 5.98" l, .75 pounds
  • Binding: Paperback
  • 250 pages
Features
  • Used Book in Good Condition

About the Author
Caroline Schacht, M.A. in sociology and M.A. in family relations, is instructor of sociology at East Carolina University and teaches courtship and marriage, introduction to sociology, and the sociology of food. Her clinical work includes marriage and family relationships. She is also a divorce mediator and the coauthor of several books, including UNDERSTANDING SOCIAL PROBLEMS (Wadsworth 2010). She is married to David Knox.

David Knox (Chantilly, VA) is the Chief Engineer for Oracle's Information Assurance Center Oracle Corporation's Security Center of Excellence. Mr. Knox joined Oracle Corporation in June 1995. While at Oracle, Mr. Knox has worked on many security programs for the US Department of Defense, various Intelligence Agencies, Healthcare and Financial Services industries. His knowledge in computer security derives not only from working knowledge and experience with Oracle's security products and database security, but also his academic studies in the areas of multilevel security, cryptography, LDAP, and PKI. David earned a bachelor's degree in Computer Science from the University of Maryland and a master's degree in Computer Science from Johns Hopkins University.

Most helpful customer reviews

0 of 0 people found the following review helpful.
I love it
By M.M.
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Rabu, 06 April 2011

[V703.Ebook] PDF Download Out of Order, Out of Sight, Vol. II: Selected Writings in Art Criticism 1967-1992, by Adrian Piper

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Out of Order, Out of Sight, Vol. II: Selected Writings in Art Criticism 1967-1992, by Adrian Piper

Adrian Piper joins the ranks of writer-artists who have provided much of the basic and most reliable literature on modern and contemporary art. Out of Order, Out of Sight is an artistic and intellectual autobiography and an (occasionally scathing) commentary on mainstream art, art criticism, and American culture of the last twenty-five years.Piper is an internationally recognized conceptual artist and the only African American in the early conceptual art movement of the 1960s. The writings in Out of Order, Out of Sight trace the development of her thinking about her artwork and the art world, and her evolving awareness of herself as a creative, racial, and gendered subject situated in an often limiting and always absurd cultural and social context.

  • Sales Rank: #546081 in Books
  • Published on: 1999-02-12
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.00" h x .90" w x 7.87" l, 2.11 pounds
  • Binding: Paperback
  • 360 pages

Review

Adrian Piper has been one of the most thoughtful of American artists working during the past 25 years. Her challenges to the boundaries of race and gender are incisive, instructive and poignant. This compendium of her thinking is a major contribution to a reconsideration of the ways that art can regain its rightful position as an agent for critical discourse concerning the structures of the society which it represents. The exhange between Piper and her viewers has always been a lively one. This book will continue and enhance that dialectic.

(John T. Paoletti, Professor, History of Art, Wesleyan University)

Adrain Piper's writings are "difficult". But not because of her style. It is neither jargon-filled, nor opaque. In fact, it is the opposite, engaging, concise, and to the point. What then is so "difficult?" The reader is confronted with attitudes and philosophically argued positions which cannot easily be absorbed or rejected in those terms which generally govern the current debate over race, gender, and sexuality (with its extensions in the art world). Nor does the reader find assurance that she "fits" in other respects. That is her great strength, and that is why her being "out of order" is good for the reader's mind and soul.

(Hans Haacke, Professor of Art, The Cooper Union, New York)

Adrian Piper's Out of Order, Out of Sight constitutes a unique contribution to contemporary thinking about art and its impact on the world of ideas. Piper herself occupies a unique position in the art world. At once a serious professional philosopher and a vanguard artist, her writing engages with both domains. Some of these pieces, like the amazing "Philip zohn Catalysis," are deeply personal; many of them deal with issues of rae and gender, but never from a preconceived ideological position. Identity, aim and affiliation are underlying themes. Often, the writing has a lyrical intensity, and inventiveness that transforms the ebullient text into art. Piper's work is a pleasure to read as well as being instructive and inspiring.

(Linda Nochlin, Lila Acheson Wallace Professor of Modern Art, Institute of Fine Arts, New York University)

Adrian Piper is one of the most provocative, insightful, and articulate of contemporary American voices.

(Joyce Carol Oates, Roger S. Berlind Professor, Humanities, Princeton)

One of the most important books on artistic philosophy and criticism that I have ever read. Makes me fantasize that if she had ever known Kant he would have obviosuly fallen in love with her. together they would have changed the course of world philosophy. But it's never too late. Read her rich text and be pushed to the highest levels of discourse and discernment.

(Robert Farris Thompson, Professor of the History of Art, Yale University)

From her roots in the conceptual and performance art of the 1960s, Adrian Piper has helped define the avant-garde for nearly thirty years. But as an African-American woman with "the epistemic confidence of an upper-class, the pampered only son of doting parents," her perspective has been tenaciously her own. These volumes are an invaluable historical document, as well as a provocative intervention in the contemporary discussion of race, gender, and power. As americans become more reflexibe about the construction of these categories, Piper's demanding, rigorous, and sometimes irascible essays will become an even more important resource.

(Dale Jamieson, Professor of Philosophy, University of Colorado)

Adrian Piper is a unique, brilliant, and penetrating artist whose talents are unparalleled within the realm of contemporary art. Piper's art combines the vernacular, topical, and subliminal reaches of our times and popular culture with the intensity of the most rigorous scholarship to create a resonant montage of image, language, and mise-en-scene. Her writings on art are among the most insightful, challenging, and probocative being generated today by any critic or author.

(Ned Rifkin, Director, High Museum of Art)

this collection comes at a critical time as we look back to the history of conceptual art and also look to the future of the arts in this country. Adrian Piper's writings on her conceptual artmaking display the intellectual clarity and precision of her thinking. Her essays on the art world speak with a regreshing honesty as they expose the complex contradictions and hypocrisies of our culture. This is an important addition to this artist's already distinguished contribution to American Art.

(John G. Hanhardt, Curator, Film and Video, Whitney Museum of American Art)

Women of colour have always been directed to be silent, to know their place, to stand aside. When one does not validate the wishes or desires harboured/held by the majority are lasting. Whenever Piper speaks Out of Order, Out of Sight, she consistently challenges the majority to remove their blindfold. Piper speaks from the margin - 'a white space for Black People' demanding that the 'centre' reposition itself. Her voice is one of many around the globe making the same demands.

(Brenda L. Croft, Artist and General Manager, Boomalli Aboriginal Artists Co-operative)

Out of Order, Out of Sight is a life's work, a testament to passionate reason and social justice. It is also an extraordinary intellectual and aesthetic autobiography by one of the most inspiring artist-philosophers of our times.

(Peggy Phelan Women's Review of Books)

About the Author
Professor of Philosophy at Wellesley College, Adrian Piper is a theorist/critic and a distinguished analytic philosopher whose research publications are in metaethics and Kant's metaphysics. She exhibits her work at the John Weber and Paula Cooper Galleries in New York.

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Minggu, 03 April 2011

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